You can use them to change the position, size and content of your text boxes, for example. The tools directly at the boxes on the workspace (words or images). There you can, for example, choose the font for your text, change the color or access useful tools. The specific toolbar on the right side, where only the currently usable functions are active. There you can add new text boxes, change the format or download your font. The global toolbar at the top, the sidebar with various functions and the modification directly via the active box. The generator basically works over three levels. Then you can create your own lettering right away! The three function levels In this quick guide, I will explain to you briefly the most important functions. You need a little help before using the lettering generator? No problem.
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Even so, eating while on tour was problematic for Karen, as she described in 1973: "When you're on the road it's hard to eat. (She was 5ft 4in tall.) She levelled off at around 8st 8lb and maintained her weight by eating sensibly but not starving herself. Although she was never obese, she was what most would consider a chubby 17-year-old at 10st 5lb. Karen's quest to be thin seems to have begun innocently enough just after high school graduation when she started the Stillman water diet. By September 1975 her weight fell to 6st 7lb (41kg). At least she would control the size of her own body." And control it she did. In 1996 journalist Rob Hoerburger powerfully summed up Karen Carpenter's tribulations in a New York Times Magazine feature: "If anorexia has classically been defined as a young woman's struggle for control, then Karen was a prime candidate, for the two things she valued most in the world – her voice and her mother's love – were exclusively the property of her brother Richard. Offstage, away from the spotlight, she felt desperately unloved by her mother, Agnes, who favoured Richard, and struggled with low self-esteem, eventually developing anorexia nervosa from which she never recovered. But there was a tragic discrepancy between her public and private selves. |
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